THE HOUSE
A
CABIN
IN
THE WOODS

1979
When Carol Soucek King set out to build, she wasn't after something grand or imposing. She wanted a refuge that belonged to the land — hidden away in nature, more wild than refined. She found it on an unlikely but perfect spot: the last privately owned land in the Arroyo Seco, tucked beneath the great bridges, on the very ground where stone for the Colorado Street Bridge was quarried.
She was insistent on one thing above all — the house would lie low and entirely horizontal, holding to the ground rather than rising above it. Buff & Hensman answered with a house built from the inside out, its long horizontal lines settling into the hillside until architecture and arroyo became a single, symbiotic whole — close to the earth, quiet, and open to the wider world the Kings were helping bring closer.

1880's
SCOVILLE ROCK WALLS
3
UNIQUE STRUCTURES
47
YEARS A SANCTUARY
MORE SCULPTURE


A VISION
TAKING FORM
1979
The MAIN HOUSE
1985
THE PAVILION
1993
THE GAZEBO
2009
CITY OF PASADENA HISTORIC MONUMENT
MAIN HOUSE
The heart of Arroyo del Rey: a cruciform house of horizontal redwood, deep eaves, and a flat roof, nested into the slope so it never rises above the land. Inside, Navajo-white walls, redwood soffits, custom teak cabinetry, and etched-glass doors by Judy Jensen — no hallways, no formal separations, just one open flow from kitchen to dining to living, and a great room that connects to the master bedroom and music room. It opens on every side to the gardens, built for salons, reflection, and the creative life.
THE PAVILION
A retreat within the retreat — a detached writing studio in the garden. It keeps the language of the Main House in Douglas fir and deep overhang, but here Buff & Hensman used color for the first time: lavender cabinetry drawn from the silver-dollar eucalyptus on the grounds. Built-in desks, quiet light, a place made for contemplation and creation.
THE GAZEBO
Donald Hensman's final work here, completed after Conrad Buff's death. An open-air structure of stained Douglas fir and redwood, set against an 1880s Scoville stone wall — binding the house to Pasadena's deeper past. Open on three sides to oaks and eucalyptus, it is the culmination of Carol's collaboration with the architects, and the resting place of Don Hensman, Richard King, and Carol's German shepherd, Duchess.




